More practice mixing colours, working from photos and using PhotoShop to make digital palettes like the one below to refer to when I’m mixing the real paints. I find this helpful, but it’s not a solution for my colour blindness. That would become obvious if I tried to paint anything with more subtle colouring.
Here’s something else on the subject of visual impairment and artistic work-arounds:
Artist Chuck Close has a neurological condition called prosopagnosia, or face blindness. He can identify a face as a face, but can’t look at someone’s face and recognise that person. In Eric R. Kandel’s book Reductionism in Art and Brain Science, Kandel describes how prosopagnosia has effected Close’s art work:
“To reconcile the problem of face blindness with his desire to paint portraits, Close developed a new, reductionist-synthetic form of portraiture that combines photography and painting; this style later became known as photorealism. Close first takes a large-format Polaroid photograph of his model. He then places a transparent sheet over the photograph and – in a step of radical reductionism – divides that transparent sheet into many small cubes, each of which he decorates in a distinctive way. Then – in a step of synthesis – he transfers the decorated cubes onto the canvas. Thus, Close achieves a paradoxical result in having a reductive process lead to a complex and richly detailed end result.” (p.172-173)
Kandel’s description of Close’s process reminds me of the “reductionism” and “synthesis” involved in my use of digital palettes, although my results are less interesting. But this encourages me to explore my colour blindness further, because in looking for a work-around I might arrive at a process that’s interesting in itself.
In the mean time, here are some of the colour studies from the last couple of days.
And here are some doodles I made using paint left over from the studies.